Grafik
View the full articleIf the era of digital downloading seems a threat to music graphics, it doesn’t bother Paul Farrington of Studio Tonne, who is riding the crest of a new wave of music-based graphics. The unwitting pioneer’s love of music and propensity for tinkering with software has seen him invent his own genre of interactive sound visuals that, as Grant Gibson discovered, looks set to reinvent your music collection.
Blueprint
View the full articleGraphic designer Studio Tonne's first furniture product, a family of modular seats for Imperial College London, is the beginning of its pursuit to design in 3D.
Varoom
View the full articleWriter Anna Gerber catches designer, musician and digital pioneer Paul Farrington as he moves away from screen-based digital work to undertake a giant installation covering a 196m walkway at Imperial College. Yet the work is as interactive as any of Farrington’s online projects. He has left the realm of invisible ones and zeroes and entered the world of scientific discovery, Britney Spears posters and rugby fixtures.
Grafik, Aural Fixation
View the full articleSound and graphic design are inextricably linked in the fascinating and complex audio world of Studio Tonne.
Future Music, Interview
View the full articleKnown for his audio-visual work with Scanner, Tonne also creates software and experiments with sound and images
Creative Review
Computer Arts
eTapes
The Wire
The Guardian
Design Week
Symbol
Steven Bateman and Angus Hyland
Laurence King
2010
Graphic Design for Less
Rotovision
2009
NeoGeo
Die Gestalten Verlag
2007
Onehundred at 360°: Graphic Design’s New Global Generation
Michael Dorrian and Liz Farrelly
2007
Experimental Formats
Rotovision
2007
Dos Logos
Die Gestalten Verlag
2004
Mapping, An illustrated guide to graphic navigational systems
Rotovision
2003
GB Graphic Britain
Laurence King
Restart: New Systems in Graphic Design
Thames & Hudson
2001
Sampler 2
Contemporary Music Graphics
Laurence King
2000
